This made-for-TV teleplay concerns a German party right before the Russians arrived.
What Should I Watch?
New to East German films? Here are a few from DEFA with English subtitles that are well worth seeing. All of these films are currently available on the Kanopy streaming service. I’m often asked for recommendations on East German movies that people should watch. There’s no one answer to this. I once showed my personal … Continue reading What Should I Watch?
What Would Happen If…?
When a car full of strangers arrives in Willshagen, the rumors start to fly. The action in What Would Happen If…? (Was wäre, wenn...?) takes place in Willshagen, an imaginary village that sits in a bulge on the border between East and West Germany. Many of the people in the town have either joined the … Continue reading What Would Happen If…?
The Condemned Village
If you look up The Condemned Village (Das verurteilte Dorf) on Wikipedia (either the English or the German version) you’ll find it described as a “propaganda film.” You could argue that point, but if you look up The Steel Fist, My Son John, Red Snow, or Walk East on Beacon—all made the same year as … Continue reading The Condemned Village
Kunz (Karl-Heinz Rothin) is a lazy miller who prefers to let his assistant Hans (Reinhard Michalke) do all the milling. When Hans can’t keep up and the farmers refuse to pay, the miller falls behind in his payments to the king. Kunz tells the king’s treasurer not to worry, because his daughter Marie (Karin Lesch) … Continue reading Rumpelstiltskin
The Fiancée (Die Verlobte) is a grim film that offers very few moments of levity during its hour and forty-five minute running time. It’s a women-in-prison film, but has nothing in common with the likes of Caged Heat, 99 Women, or the dozens of other women-in-prison films of the sixties and seventies. There is nothing … Continue reading The Fiancée
Our Daily Bread
There is a stereotype in the West about the films from communist countries: That they’re all about the struggles of the working class against oppression; that they’re shot in the style of socialist realism popularized by Russian directors; that they’re full of hokum about the importance of agriculture and tractors. Any regular reader of this … Continue reading Our Daily Bread
The Karl Liebknecht Films
In 1954 and 1955, director Kurt Maetzig made two films devoted to the life of communist pioneer Ernst Thälmann. Later, Maetzig would say he was embarrassed by the films and consider them his weakest work. Unlike most of his films, these two were not of his choosing. The authorities simply decided that it was time … Continue reading The Karl Liebknecht Films