Pension Boulanka

A murder has been committed at the Pension Boulanka, but there are too many suspects. Here's a classic example of a German Krimi, East German-style. A few years back, I was talking to the “Czar of Noir” Eddie Muller. Eddie is the man behind the Noir City, a film noir festival held every year at… Continue reading Pension Boulanka

New Year’s Eve Punch

As mentioned elsewhere on this blog, the East German government had a rocky relationship with musicals. The inherent frivolity of the genre clashed mightily with the government’s philosophy that every film should promote good socialist values. At the same time, musicals were popular with the public in the fifties on both sides of the Iron… Continue reading New Year’s Eve Punch

Like Father, Like Son

Since the early days of cinema, there have been sequels. Thomas Dixon Jr.—the man who wrote the book upon which The Birth of a Nation was based—attempted one when he directed his own script of The Fall of a Nation (it bombed). Universal Pictures made an industry out of sequels during the thirties and forties… Continue reading Like Father, Like Son

A Lively Christmas Eve

There is something in human nature that requires a Winter Solstice celebration. It doesn’t matter if you are a Christian, an atheist, a pagan, or a Jew, when the days reach their shortest, we need a festival of light. This is especially true in the northern climes, where the days get dark and frigid. The… Continue reading A Lively Christmas Eve

Beloved White Mouse

The musical comedy is not a genre anyone would associate with East Germany. It was born in Hollywood and reached its acme under Arthur Freed at MGM. Musical comedies are happy affairs, light as meringues  colorful, and carefree—not qualities that immediately spring to mind when one thinks of the GDR. But DEFA made several musicals and… Continue reading Beloved White Mouse