A guide to what to watch while your stuck at home during the pandemic. Here are a few you East German films with English subtitles that are well worth seeing. I’m often asked for recommendations on East German movies that people should watch. There’s no one answer to this. I once showed my personal favorite… Continue reading What Should I Watch?
While I normally use the English language title for my heading, I’ve decided to go with the German title on this one. There are a number of ways to translate this title into English. They include: “escapade,” “affair,” “a bit on the side,” “adultery,” and “infidelity.” Escapade is the title used by IMDB and some… Continue reading Seitensprung
At the start of Liane, we see the films namesake applying for a part in a film being shot at the electrical company where she works. Immediately, we see that she’s the type of person who speaks candidly, regardless of the situation. Liane works as a Springer—a job designation that’s only one step above being… Continue reading Liane
A popular format on East German TV was the teleplay. These were videotaped on stage in front of a live audience. In America, you’ll see this most often with sitcoms such as Cheers or I Love Lucy. Similarly, these East German teleplays were mostly comedies, but were unique, one-hour to hour-and-a-half shows rather than series… Continue reading The Teleplays of Christa Kulosa
Too Young for Love? (Für die Liebe noch zu mager?) is a portrait of a girl on the cusp of womanhood. At the start of the film, our heroine Susanne (Simone von Zglinicki) is wide-eyed and still wet behind the ears. She works at a textile plant and is a model worker. Susanne has a… Continue reading Too Young for Love?
The title of Bailing Out (Kaskade rückwärts) refers to a particularly tricky equestrian move where the rider, rather than performing an emergency dismount by a normal method, does a backwards somersault off the rear of the horse. The move is ably demonstrated in the film and is impressive, but it’s really a stunt move that… Continue reading Bailing Out
When the Berlin Wall finally came down, East Germans danced for joy in the streets. No more Stasi, no more food shortages, no more travel restrictions, and no more fiddling with their Trabis to get the damned things started. At the time, most people in East Germany were glad to see the backside of the… Continue reading Herzsprung
Three Hazelnuts for Cinderella (Drei Haselnüsse für Aschenbrödel) was a co-production between East Germany and Czechoslovakia. DEFA made twelve films in co-production with the ČSSR’s Barrandov Film Studios. Some of these movies look like East German films, while others seem very Czechoslovakian. Three Hazelnuts for Cinderella falls squarely in the latter category thanks to the… Continue reading Three Hazelnuts for Cinderella
One of the goals of DEFA films, stated at the very start of the production company, was to present stories from as objective a viewpoint as possible. When Kurt Maetzig made The Council of the Gods, his intention was to avoid both the romanticism of Hollywood and the socialist realism of Soviet films. He wanted… Continue reading Apprehension
The first films made in what would become East Germany after the war (at that point, still the Soviet sector), were short documentary films. Most of these early films were for propaganda purposes, showing how the Soviet Union was helping rebuild Germany after the war. After DEFA was established, documentary films were handled by a… Continue reading Winter Adé