The Man Who Replaced Grandma (Der Mann, der nach der Oma kam) belongs to the comedy of errors genre—specifically the sub-genre that finds comedy in the mistaken belief that someone is being unfaithful.1 Some classic Hollywood films have mined this vein for comedy, most notably Preston Sturges in his hilarious 1948 film, Unfaithfully Yours, and… Continue reading The Man Who Replaced Grandma
In 1975, director/screenwriter Jim Sharman, along with co-author Richard O'Brien, had a huge hit with The Rocky Horror Picture Show. In 1981, they decided to try again with Shock Treatment. It had the same writers, same director, and some of the same cast, but it failed miserably. It was like trying to catch lightning in… Continue reading No Cheating, Darling!
If you want to see a perfect example of the utter lunacy of the 11th Plenum, look no further than Hands Up, or I’ll Shoot! (Hände hoch oder ich schieße). This film is about as innocuous a movie as one could hope for, yet, the SED felt the need to ban it alongside nearly every… Continue reading Hands Up or I’ll Shoot!
The musical comedy is not a genre anyone would associate with East Germany. It was born in Hollywood and reached its acme under Arthur Freed at MGM. Musical comedies are happy affairs, light as meringues colorful, and carefree—not qualities that immediately spring to mind when one thinks of the GDR. But DEFA made several musicals and… Continue reading Beloved White Mouse