Anton the Magician

Of all the surprises that East German films bring to American viewers, the biggest one—excluding the psychedelia of In the Dust of the Stars, which is guaranteed to make anyone’s head explode—is how dark the humor in their comedies can be. Of course, the target for this kind of comedy is nearly always western-style capitalism… Continue reading Anton the Magician

Like Father, Like Son

Since the early days of cinema, there have been sequels. Thomas Dixon Jr.—the man who wrote the book upon which The Birth of a Nation was based—attempted one when he directed his own script of The Fall of a Nation (it bombed). Universal Pictures made an industry out of sequels during the thirties and forties… Continue reading Like Father, Like Son

A Lively Christmas Eve

There is something in human nature that requires a Winter Solstice celebration. It doesn’t matter if you are a Christian, an atheist, a pagan, or a Jew, when the days reach their shortest, we need a festival of light. This is especially true in the northern climes, where the days get dark and frigid. The… Continue reading A Lively Christmas Eve

Beloved White Mouse

The musical comedy is not a genre anyone would associate with East Germany. It was born in Hollywood and reached its acme under Arthur Freed at MGM. Musical comedies are happy affairs, light as meringues  colorful, and carefree—not qualities that immediately spring to mind when one thinks of the GDR. But DEFA made several musicals and… Continue reading Beloved White Mouse