A guide to what to watch while your stuck at home during the pandemic. Here are a few you East German films with English subtitles that are well worth seeing. I’m often asked for recommendations on East German movies that people should watch. There’s no one answer to this. I once showed my personal favorite… Continue reading What Should I Watch?
While I normally use the English language title for my heading, I’ve decided to go with the German title on this one. There are a number of ways to translate this title into English. They include: “escapade,” “affair,” “a bit on the side,” “adultery,” and “infidelity.” Escapade is the title used by IMDB and some… Continue reading Seitensprung
At the start of Liane, we see the films namesake applying for a part in a film being shot at the electrical company where she works. Immediately, we see that she’s the type of person who speaks candidly, regardless of the situation. Liane works as a Springer—a job designation that’s only one step above being… Continue reading Liane
A popular format on East German TV was the teleplay. These were videotaped on stage in front of a live audience. In America, you’ll see this most often with sitcoms such as Cheers or I Love Lucy. Similarly, these East German teleplays were mostly comedies, but were unique, one-hour to hour-and-a-half shows rather than series… Continue reading The Teleplays of Christa Kulosa
The title of Bailing Out (Kaskade rückwärts) refers to a particularly tricky equestrian move where the rider, rather than performing an emergency dismount by a normal method, does a backwards somersault off the rear of the horse. The move is ably demonstrated in the film and is impressive, but it’s really a stunt move that… Continue reading Bailing Out
In 1971, East Germans started lining up outside the cinemas to see a film called Time of the Storks (Zeit der Störche). It might have been in part because of its story of love affair between two strangers, one of whom was about to get married, but it was more likely because the film also… Continue reading Time of the Storks
The final years of East Germany’s existence saw a relaxing of the restrictions on what could be filmed and what couldn’t. After the Wende, DEFA continued to exist for a few years, and continued to make films using the same stable of technicians and actors, but now they could make films about the one thing… Continue reading The Mistake
One of the goals of DEFA films, stated at the very start of the production company, was to present stories from as objective a viewpoint as possible. When Kurt Maetzig made The Council of the Gods, his intention was to avoid both the romanticism of Hollywood and the socialist realism of Soviet films. He wanted… Continue reading Apprehension