Ol’ Witch

A modern fairytale about two kids in an elevator that descends into a wasteland where they encounter a blind horse, a knight in dirty underwear, a green-haired witch, and giant spider with an eyeball in its backside. Alongside the fairytale films that DEFA made throughout its existence, they also made a few films that would… Continue reading Ol’ Witch

The Blue Light

As I’ve discussed on this blog before, East Germany had an above-average track record on female equality and films about women’s issues, yet there were only a few female directors at DEFA. First and foremost among these was Iris Gusner. She wasn’t the first women to direct feature films at DEFA. That honor goes to… Continue reading The Blue Light

Sleeping Beauty

The story of Sleeping Beauty (Dornröschen) is old enough that it’s origins are a point of debate. The Grimm Brothers felt the story had enough Germanic elements to identify it as German in origin. The French, quite rightfully, would point out that the story was already well-known in France as it appeared in Charles Perrault’s… Continue reading Sleeping Beauty

Rumpelstiltskin

Kunz (Karl-Heinz Rothin) is a lazy miller who prefers to let his assistant Hans (Reinhard Michalke) do all the milling. When Hans can’t keep up and the farmers refuse to pay, the miller falls behind in his payments to the king. Kunz tells the king’s treasurer not to worry, because his daughter Marie (Karin Lesch)… Continue reading Rumpelstiltskin

Snow White

As discussed elsewhere on this blog, fairytale films were the closest thing to a cash cow the East German film industry had to offer. Beloved by East and West Germans alike and often featuring stories in which the poor and generous triumph over the rich and greedy, the fairytale film faced fewer hurdles when they… Continue reading Snow White

Pinocchio

While DEFA was far better at interpreting famous fairytales on film than Hollywood ever was, the fact is, many of the classics are so grotesque that any movie that did them justice would not be considered suitable for children. One such example is Carlo Collodi’s The Adventures of Pinocchio (Le avventure di Pinocchio). The story… Continue reading Pinocchio

Three Hazelnuts for Cinderella

Three Hazelnuts for Cinderella (Drei Haselnüsse für Aschenbrödel) was a co-production between East Germany and Czechoslovakia. DEFA made twelve films in co-production with the ČSSR’s Barrandov Film Studios. Some of these movies look like East German films, while others seem very Czechoslovakian. Three Hazelnuts for Cinderella falls squarely in the latter category thanks to the… Continue reading Three Hazelnuts for Cinderella

Godfather Death

[Note: I received a request to do a review of this film from a reader. If there is any East German film out there that you think I should take a look at, feel free to let me know and if I can find a copy I’ll check it out.] Godfather Death (Gevatter Tod) is… Continue reading Godfather Death

The Tinderbox

Of all the films made in East Germany, the Märchenfilme (fairytale films) fared the best when it came to western distribution. Thanks to kid film friendly companies such as K. Gordon Murray and Childhood Productions, these films were some of the very few that received U.S. distribution. East-West borders seemed to melt away with the… Continue reading The Tinderbox

Heart of Stone

On December 8, 1950, DEFA, East Germany’s state-run movie studio, released its first color film. The film was shot in Agfacolor, which was developed for the Nazis to compete with Technicolor. After the war, there was enough color film stock at the AGFA plant in Wolfen to make a few movies, but the Soviets claimed… Continue reading Heart of Stone