Elective Affinities

Ask the average American who Johann Wolfgang von Goethe is, and you’ll either get: “He was a writer, wasn’t he?” Or: “I don’t know.” A well-read American might be familiar with Faust and The Sorrows of Young Werther, but that’s about it. In Germany, on the other hand, Goethe resides deep in the soul. He’s … Continue reading Elective Affinities

Too Young for Love?

Too Young for Love? (Für die Liebe noch zu mager?) is a portrait of a girl on the cusp of womanhood. At the start of the film, our heroine Susanne (Simone von Zglinicki) is wide-eyed and still wet behind the ears. She works at a textile plant and is a model worker. Susanne has a … Continue reading Too Young for Love?

Lissy

In November of 1957, Stanley Kubrick’s Paths of Glory was released in West Germany. It would appear in American cinemas a month later. When it did, film critics were rightly impressed and singled out one scene as a proof of Kubrick’s genius. It was the scene of the court martial, where the soldiers are shot … Continue reading Lissy

Jana and Jan

With the notable exception of horror movies, the East German film industry (that is to say, DEFA) made films of nearly every genre from westerns to science fiction; from thrillers to romantic comedies. If it were a Hollywood film, Jana and Jan (Jana und Jan) would be categorized as a women-in-prison film, but without the … Continue reading Jana and Jan

Next Year at Lake Balaton

Road movies are common enough to warrant their own category. Whether the characters in a film are trying to get from point A to point B (The Straight Story, Vanishing Point), or simply enjoying the passing parade of life on the road (Easy Rider, Il Sorpasso), road movies have a special appeal. Although sometimes they … Continue reading Next Year at Lake Balaton

Interrogating the Witnesses

At first, Interrogating the Witnesses (Vernehmung der Zeugen) looks like it’s going to be a murder mystery, or a police procedural. A boy named Rainer (Mario Gericke) has been stabbed to death, and the doctor investigating the scene believes her son Max (René Steinke) is the killer. It turns out she’s right, and the the … Continue reading Interrogating the Witnesses

Three Hazelnuts for Cinderella

Three Hazelnuts for Cinderella (Drei Haselnüsse für Aschenbrödel) was a co-production between East Germany and Czechoslovakia. DEFA made twelve films in co-production with the ČSSR’s Barrandov Film Studios. Some of these movies look like East German films, while others seem very Czechoslovakian. Three Hazelnuts for Cinderella falls squarely in the latter category thanks to the … Continue reading Three Hazelnuts for Cinderella

The Mistake

The final years of East Germany’s existence saw a relaxing of the restrictions on what could be filmed and what couldn’t. After the Wende, DEFA continued to exist for a few years, and continued to make films using the same stable of technicians and actors, but now they could make films about the one thing … Continue reading The Mistake

Ete and Ali

Ete and Ali (Ete und Ali) is essentially a road movie, with one important difference: no one actually goes anywhere. The film follows the misadventures of the two men named in the title. Having just finished their military service, neither is sure what to do next. Bernhard—”Ete” to his friends—is a little guy. He is … Continue reading Ete and Ali

Driving School

Fahrschule

Q: Why were there no bank robberies in East Germany? A: Because you had to wait twelve years for the getaway car. So goes the joke, poking fun at the rather astounding wait times for purchasing automobiles in the GDR. In East Germany, you basically had two choices when it came to purchasing a car: … Continue reading Driving School