Murder on Monday

East Germany dips into the Krimi film genre with a movie about the seedy underbelly of Frankfurt. Germany has given the world plenty of great films and filmmakers, but their greatest contribution to genre cinema is the Krimifilm. Literally, this just means crime film, but the Krimi is much more than that. A good Krimi… Continue reading Murder on Monday

Elective Affinities

Ask the average American who Johann Wolfgang von Goethe is, and you’ll either get: “He was a writer, wasn’t he?” Or: “I don’t know.” A well-read American might be familiar with Faust and The Sorrows of Young Werther, but that’s about it. In Germany, on the other hand, Goethe resides deep in the soul. He’s… Continue reading Elective Affinities

Wolz – Life and Illusion of a German Anarchist

From the first frame of the opening credits, Wolz lets you know that it will be taking a lighthearted look at an otherwise serious subject. The theme song is typically German-sounding oompah march music, punctuated by gunshots. On paper, Wolz does not sound like material for humor at all. It follows the exploits of a… Continue reading Wolz – Life and Illusion of a German Anarchist

The Naked Man on the Sports Field

Konrad Wolf’s three feature films—Goya, The Naked Man on the Sports Field (Der nackte Mann auf dem Sportplatz), and Solo Sunny—form a loose trilogy. On the face of things, the three films are as different as can be, musically, stylistically and cinematically, but all three films deal with deal with artistic creativity, in each case seen from… Continue reading The Naked Man on the Sports Field

Godfather Death

[Note: I received a request to do a review of this film from a reader. If there is any East German film out there that you think I should take a look at, feel free to let me know and if I can find a copy I’ll check it out.] Godfather Death (Gevatter Tod) is… Continue reading Godfather Death

No Proof for Murder

No Proof for Murder (Für Mord kein Beweis) belongs to the film genre that Germans (East and West) call Krimis. We’d call them “crime films,” although we never do, preferring instead to parse things out as film noir, mysteries, and thrillers. No Proof for Murder is a good example of the East German style of… Continue reading No Proof for Murder

Kit & Co

From time to time, East German filmmakers looked to America for source material. Bellboy Ed Martin was based on Albert Maltz’s play, Merry-Go-Round, and Chingachgook, the Great Snake took most of its story from James Fenimore Cooper’s Leatherstocking book, The Deerslayer. Jack London was a natural choice for DEFA. He was an ardent socialist, writing… Continue reading Kit & Co

Karla

1966 was a rough year for film in East Germany. The 11th Plenum of the previous December pulled the rug out from under some of the most intelligent and creative film talent to come out of any country at any time. East German cinema was on the verge of matching the French New Wave in… Continue reading Karla