Shown once and then thrown in the Giftschrank (poison cabinet), this TV movie about a marriage in crisis had to wait until after the Wende for most people to see it. In Frank Beyer's Private Party (Geschlossene Gesellschaft),1 Robert (Armin Mueller-Stahl) and Ellen (Jutta Hoffmann) are a seemingly happy married couple. Robert is a talented … Continue reading Private Party
Category: Frank Beyer
The Break-In
This DEFA/West German coproduction about a daring bank robber was a huge hit on both side of the German border. It’s based on an actual bank robbery that took place in Berlin in 1951. In November of 1951, a man named Walter Pannewitz rented office spaces on the ground floor of the Römischer Hof, a … Continue reading The Break-In
Held for Questioning
The backstory of Held for Questioning (Der Aufenthalt) is the story of a film that was made against all odds, by a director that DEFA had, essentially, written off the books. Frank Beyer was one of the best filmmakers in East Germany. He proved this time and again, with movies such as Five Cartridges, Naked … Continue reading Held for Questioning
Star-Crossed Lovers
As mentioned elsewhere on this blog, the period between the building of the Berlin Wall and the 11th Plenum was a golden age for film in East Germany. The authorities were determined to prove that building the wall was not intended to repress the population, but was intended as an “anti-fascist protective barrier” (antifaschistischer Schutzwall) … Continue reading Star-Crossed Lovers
The 11th Plenum
The Central Committee of the SED of the GDR NOTE: Readers of this blog may have noticed how often the term “11th Plenum” crops up in these film reviews. Although I define the term in the glossary, a quick definition can only scratch the surface. For those who want to learn more, I offer this … Continue reading The 11th Plenum
Jakob the Liar
There are a few East German films that, in spite of the political differences, are acknowledged as classics on both sides of the Iron Curtain. Stars, The Murderers Are Among Us, and The Rabbit is Me have all entered that exclusive group, but—with the exception of Stars—these films did not receive much attention until after … Continue reading Jakob the Liar
The Trace of Stones
In December of 1965, The 11th Plenum of the Central Committee of the SED left East Germany’s film industry in ruins. Some films (most notably, The Rabbit is Me) were shelved after playing briefly in theaters, while others (e.g., Born in ‘45, Carla, and When You Grow Up, Dear Adam) didn’t reach the theaters until … Continue reading The Trace of Stones
East German Cinema Blog 