In Frank Beyer's Private Party (Geschlossene Gesellschaft),1 Robert (Armin Mueller-Stahl) and Ellen (Jutta Hoffmann) are a seemingly happy married couple. Robert is a talented engineer whose work just saved the state a million Marks, and Ellen works for the youth services with disadvantaged teens. They decide to go on holiday with some friends. They invite …
Category: Frank Beyer
The Break-In
In November of 1951, a man named Walter Pannewitz rented office spaces on the ground floor of the Römischer Hof, a stately old office building on the corner of Charlottenstrasse and Unter den Linden in Berlin’s Mitte district. Nobody asked many questions at the time. Building owners were happy to have any tenants who could …
Held for Questioning
The backstory of Held for Questioning (Der Aufenthalt) is the story of a film that was made against all odds, by a director that DEFA had, essentially, written off the books. Frank Beyer was one of the best filmmakers in East Germany. He proved this time and again, with movies such as Five Cartridges, Naked …
Star-Crossed Lovers
As mentioned elsewhere on this blog, the period between the building of the Berlin Wall and the 11th Plenum was a golden age for film in East Germany. The authorities were determined to prove that building the Wall was not intended to repress the population, but was intended as an “anti-fascist protective barrier” (antifaschistischer Schutzwall) …
The 11th Plenum
The Central Committee of the SED of the GDR NOTE: Readers of this blog may have noticed how often the term “11th Plenum” crops up in these film reviews. Although I define the term in the glossary, a quick definition can only scratch the surface. For those who want to learn more, I offer this …
Jakob the Liar
There are a few East German films that, in spite of the political differences, are acknowledged as classics on both sides of the Iron Curtain. Stars, The Murderers Are Among Us, and The Rabbit is Me have all entered that exclusive group, but—with the exception of Stars—these films did not receive much attention until after …
Trace of Stones
In December of 1965, The 11th Plenum of the Central Committee of the SED left East Germany’s film industry in ruins. Some films (most notably, The Rabbit is Me) were shelved after playing briefly in theaters, while others (e.g., Born in ‘45, Carla, and When You Grow Up, Dear Adam) didn’t reach the theaters until …
East German Cinema Blog 