If you want to see a perfect example of the utter lunacy of the 11th Plenum, look no further than Hands Up, or I’ll Shoot! (Hände hoch oder ich schieße). This film is about as innocuous a movie as one could hope for, yet, the SED felt the need to ban it alongside nearly every other film slated for release in 1966. Apparently the idea that a Volkspolizei might be suffer from depression was enough to set them off. In spite of attempts to placate the authorities with cuts and revisions, the film ended up on the shelf, unscreened until after the Wende.
The film tells the story of Holms, a cop in the sleepy East German hamlet of Wolkenheim. Holms had wanted to be a policeman since he was a boy, but the town in which he lives is so crime free that there is little for him to do beyond helping a local couple find their rabbit. He starts having daydreams about catching gangster and soon sees the local doctor for depression.
One of Holm’s best friends is a retired crook named Pinkas. Worried about his buddy’s mental health. Pinkas organizes a gang of retired crooks to steal the statue from the Marketplace, giving Holms a case to solve, but things spiral out of control from there. What follows is a comedy of errors, with Holms and the crooks, crossing each others paths again and again.
The film stars Rolf Herricht as Holms, who is no stranger to the East German Cinema blog. He has appeared in several of the films mentioned here, either in major roles (Beloved White Mouse, Not to Me, Madam!), or smaller parts (On the Sunny Side, For Eyes Only). Although primarily a comic actor, like many other comic actors he proved he was capable of playing it straight as well. On television he regularly appeared with in skits with fellow comedian, Hans Joachim Preil, who appears in this film as the aging gangster, Elster Paule. (For more information on Rolf Herricht, see Beloved White Mouse).
Playing Holms’ well-intentioned but misguided pal Pinkas is the Czech actor, Zdeněk Štěpánek. Grandson of the Czech playwright, Jan Nepomuk Štěpánek, Zdeněk Štěpánek was a well-known and popular actor in Czechoslovakia, first appearing in films in 1922. Throughout the WWII years, he continued to appear in movies in his home country, including Ulicka v ráji (Paradise Road), Bílá nemoc (Skeleton on Horseback), and Cech panen kutnohorských (The Merry Wives). Like his grandfather, he also wrote several successful plays, which he also directed on stage. He died in Prague in 1968. His children have gone on to become successful actors in the Czech Republic.
The rest of the cast is fun to watch. Especially Herbert Köfer, who plays the derby-wearing Heuschnupf das Aas—the de facto leader of the gang while Pinkas is indisposed. Also appearing is Rolf Herricht’s longtime skit partner, Hans-Joachim Preil. The love interest is played by the charming Agnes Kraus, and putting in a brief appearance playing an American buffoon—as he did in Carbide and Sorrel—is Hans-Dieter Schlegel.
The director of Hands Up or I’ll Shoot! was Hans-Joachim Kasprzik, and his is a sad story indeed. Mr. Kasprzik got his start as an assistant director in the fifties, working alongside such pros as Konrad Wolf, Joachim Hasler, and Kurt Maetzig. Starting in 1960, he began directing Stacheltier shorts and made-for-TV movies. In 1964, he had a big hit with the TV miniseries Wolf unter Wölfen, starring Armin Mueller-Stahl. Armed with the success of this series, Mr. Kasprzik directed Hands Up or I’ll Shoot!—his first feature film. Unfortunately for him, this was the worst possible time in the history of the GDR to begin a feature film directing career. Mr. Kasprzik’s movie got caught in the SED’s attack against DEFA’s perceived liberality. Thus, Hands Up or I’ll Shoot! achieved the dubious distinction of being the last film banned during the “Kahlschlag” (literally, clear-cutting) of the 11th Plenum.
For the rest of his career as a director, Mr. Kasprzik was relegated to television, where he had considerable success. His series of TV movies, Sachsens Glanz und Preußens Gloria (Saxony and Prussia’s Blaze of Glory) were extremely popular in East Germany. His career ended with the Wende. His last act as a director was to helm an episode of the popular East German cop show, Polizeiruf 110 a month before the wall opened. Having turned sixty shortly before the Wende, with no feature films to his credit, Mr. Kasprzik found it hard to find work in the newly united Germany. He retired from filmmaking and died in 1997 in Berlin.
In the 1970s, the film was brought up for reconsideration, after the screenplay’s author, Rudi Strahl, turned the story into a successful play, titled Noch mal ein Ding drehn, but the film remained banned. As was the case in the U.S.A. during the Tennessee Williams years, there were some things you could do on the stage that still couldn’t be done on film.
The screenplay’s author, Rudi Strahl, was a successful writer in the GDR. He had written several plays, a few satires, and even a children’s book based on the popular children’s TV-show character, Sandmännchen. At the age of twenty, he became a member of the Volkspolizei, and later the NVA (National People’s Army), where he rose to the rank of lieutenant. In the mid-fifties, he started getting stories published, and attended the Leipzig German Literature Institute (Deutsches Literaturinstitut Leipzig) at the University of Leipzig. Afterward he became an editor at Eulenspiegel, the popular East German satirical magazine. During the sixties he began writing screenplays, starting with Der Reserveheld (The Reserve Hero), which also starred Rolf Herricht. In spite of the reaction of the 11th Plenum to Hands Up or I’ll Shoot!, Strahl continued to write screenplays throughout the sixties and seventies. He is one of the only East German playwrights whose work was also performed in West Germany. He died in Berlin in 1980, but his stories and plays continued to be adapted for television and movies until well after the fall of the wall—a testament to the quality of his work. His play, Ein seltsamer Heiliger (A Strange Saint) was adapted into a made-for-TV movie in 1995, and an episode of the popular West German TV show Berliner Weiße mit Schuß was also based on his work.
The story of Hands Up or I’ll Shoot! is happier than many other banned films from East Germany (see The Dove on the Roof). After the Wende, DEFA-Stiftung and the Bundesarchiv discovered 570 canisters containing material from this film. Using the original screenplay, the film was carefully reconstructed and finally screened in 2009. Included in the found footage were color sequences that were shot, but, sadly, never used for the dream sequences. These are not used in the final print either, but the original animated title sequence was also found and has been restored.
3 thoughts on “Hands Up or I’ll Shoot!”
Köfi is all of the awards. The screencap as well!! Would you allow me to use it for my blog if I give credit? I need it on my blog so much. Just the other day I wrote a letter to Köfer as he is living just around the corner and I didn’t wanna miss him (as I already missed Klein which makes me extremely sad as I love this actor like no one else). But I also love Köfi (Köfi because my grampa calls him like that LOL) I watched Hände hoch oder ich schieße a few days ago for the first time. Actually not, actually I watched it when it was shown for the first time on ARTE last year or the year before I don’t really remember but then my interest for Köfi was muted as I focused on Jaecki Schwarz in Polizeiruf 110. Anyway, love your re-view of this film. Very well written. Couldn’t have translated it any better.
Aber natürlich you can share the photos. Most are simply frames from the films anyway. I sometimes lighten the a bit, but not much more. Thanks for the kind words.
Thank you 😀 I’ll give credit of course! Oh by the way I just see you put the blog up your blogroll, can you change the description just slightly because the blog is not only dedicated to DEFA but also to UFA. It’s both 🙂 Dankeschööön^^