While the rest of the world was undergoing huge cultural upheavals, East Germany’s leaders were busy battening down the hatches, shutting the windows, and stuffing cotton in their collective ears; anything to avoid acknowledging that somewhere between 1965 and 1971 the world had changed completely. The politicians in the GDR got a glimpse of these… Continue reading Hey You!
One of the joys of East German cinema is watching the way film and reality smack into each other. The DEFA Library at UMass in Amherst just released as perfect an example of this as anyone could wish for. The Flight (Die Flucht) is the story of Dr. Schmith, a medical researcher who is torn… Continue reading The Flight
In the early 1970s, the East German authorities made yet another U-turn in their attitude toward the arts. Honecker had replaced Ulbricht as the General Secretary, and he wanted to demonstrate that as long as a film “proceeds from the firm position of socialism, there can be no taboos.” (actual quote: “Wenn man von den… Continue reading The Dove on the Roof
In 1977, disco fever swept the world. The Bee Gees—formerly a Beatles-influenced band—had reinvented themselves as the kings of the nightlife, John Travolta was teaching people how to dance, and skin-tight polyester shirts were flying off the shelves. In West Berlin, an Italian music producer named Giorgio Moroder met an American singer named Donna Summer… Continue reading DEFA Disko 77
If I was to choose the one film that got me interested in East German Cinema, it would have to be this one. Sometimes referred to as the “East German Barbarella,” In the Dust of the Stars (Im Staub der Sterne) is one of the strangest film to grace the movie screens of the GDR;… Continue reading In the Dust of the Stars
For all of the problems inherent in East Germany’s political system, one area where the east decidedly surpassed the west was in its attitude toward women in the workplace. While women in West Germany and America were still relegated—almost forcibly—to the home and kitchen, East Germany and the USSR were allowing women to work alongside… Continue reading Her Third
The late 1960s were a time of great changes in German Cinema. Starting with Volker Schlöndorff’s Young Törless (Der junge Törleß), and followed soon after by the almost experimental films of Fassbinder and Herzog, filmmaking in the west was experiencing a creative renaissance. In the GDR, filmmakers were still trying to maintain their artistic freedom,… Continue reading The Legend of Paul and Paula