When the noted East German director/cinematographer, Werner Bergmann, left the preview screening of Born in ‘45 (Jahrgang 45), he turned to Roland Gräf, the film’s cinematographer, and spat: “Eastern Bloc Italians!” He may have meant it as an insult, but Gräf took it as a compliment. Born in ‘45 was a conscious attempt to duplicate … Continue reading Born in ’45 →