I was going to post about yet another film when I suddenly realized that this marks the 100th post on the East German Cinema Blog. When I started this project four years, I had no idea if anyone else in the world was interested in these films. Since then I have discovered a thriving community and growing interest in the movies worldwide. My recent presentations on the subject in San Francisco and Copenhagen were extremely well attended and enthusiastically received. Of course, I couldn’t have done this without help, so I’d like to thank a few people right now. First off, Barton Byg and Seán Allan, who were into these film long before I knew anything about them; Evan Torner, who provides the best subtitles for DEFA films, and has been a font of information; Sebastian Heiduschke, who has become a great friend, and whose book on East German Films should be on everyone’s shelf; Hiltrud Schulz and Sky Arndt Briggs at the DEFA Library, who have helped immeasurably in making this blog as good as it is; Jale Yoldas (San Francisco) and Mia Munck Bruns (Copenhagen) the Goethe Institut for their continued encouragement; and finally Jack Stevenson at the Husets Biograf Theater in Copenhagen and Stephen Parr at Oddball Films in San Francisco for providing venues for my talks. And of course, thanks to all of you, my readers, and those of you who attended the presentations in San Francisco and Copenhagen (and my apologies to anyone who couldn’t get into the San Francisco talk).
After four years, one might think that I’ve already uncovered the best films, but there seems to be no end to it. Every month I come across new gems from the DEFA archives. I studying film has taught me anything, it’s that no matter how many films you’ve seen, there’s always another one out there waiting to blow your socks off.
And with that, I’ll resume my regularly scheduled programming. Tomorrow I’ll be talking about a film that has the dubious reputation of having the most egregiously mistranslated titled on the Internet.